27 June 2012

Brush stroke(s)

A strange oil painting of a woman.


A strange oil painting of a woman.

Thick heavy brushstrokes and thick semi acrylic paints to merge and dry at different rates and release different mixes. The oil remained wet for two and a half days, the white acrylic dried in an hour. The next day, I re-worked the page and found it interesting. These layers of many effects of white acrylic sheets, cemented between a sandwich filling of thick oil paint. A lack of refinement to advocate a change in emotion, to provide this intense sense of meaning. But what does is it mean. How do we feel.

 The off centered eyes push a gaze onto the left side of the page, possibly suggesting disinterest, but why. Whether is me design, Illustration or paint-works, this continual interest in why something is of how it is baffles the viewer. A psychological test, whether people feel the same concerning a specific image, usually a clean ones. The gritty image often presents multiple perceptions from a population of people. 

Undefined paint work feels emotional. Clean-cut works feel mechanical.

Jack




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